Connecting out board gear

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You can also do it your way if you have an effects setup that works permanently wired. User Alert System provided by - Copyright © 2018 DragonByte Technologies Ltd.

Noise isn't much of a problem live. When reamping I just patch directly from output 16 on my interface system and then record back through the front. I don't get to hear it in the mix, but I've got a few standard settings for the MC77 that work pretty well.

Q. What’s the best way to hook up my hardware to my DAW?

My favourite topic and welcome to the hybrid DAW crowd. You need a DA interface that allows you to send digital audio out to your Converter and then out to your analog gear, Then AD it back into your DAW. Find a budget and go from there. There are a lot of options. Start reading on hybrid DAWs if you want to learn more. You can use things like these: Dangerous Products: D-BOX Dangerous 2-BUS SPL MixDream and the Folcrom which is a passive summing box Roll Music Systems That's lots of info to chew on. Some DAWs feature automated latency compensation for external devices, too, which makes it really easy to work with external FXs. You connect the , e. Now, you can use the outboard FX like a synchronized plugin with external controls. Don't forget to safe the settings, though. Use Midi or simply store it as preset on the device and make notes of its name. Here, I have the DAW feature that some hardware devices and their presets are already stored and can be recalled and adjusted with a corresponding gui within the DAW. Then it becomes a question of is it a good idea to do this? Like BigK said, there are many high-end outboard gear you might want to use. But is your outboard gear any better than your plug-ins? There's not anything I have that I want to use post-tracking. I do hit a few compressors while tracking, but that is independent of pre my DAW.

If you have a console and a patchbay, you can mult the met after the mic pre to multiple device inputs and record tracks with EQ, compression etc. I'm assuming you mean to take 3 mikes in a mixer and record a 2-channel signal into pro Tools. To keep maximum flexibility, I use a patch bay. But under this met I do not have the pre-fader option that the DAW allows. You can also put your micpre outs on top. There are two things that will be simplified with these: 1. Noise isn't much of a problem live. If you have a line gusto with no gain knob associated with it, use that one.